BOOKS

Serge Daney and Queer Cinephilia, ed. with Pierre Eugène and Marc Siegel, meson press 2024. Available at https://meson.press/books/serge-daney-and-queer-cinephilia/.

The Cinema of Mia Hansen-Love: candour and vulnerability, Edinburgh University Press, 2021.

The Body and the Screen: female subjectivities in contemporary women's cinema, Bloomsbury plc 'Thinking Cinema' series, 2017.

Five Directors: Auteurism from Assayas to Ozon, ed., Manchester University Press 2008.

Georges Franju, au-delà du cinéma fantastique, traduction française du livre ci-dessous, L'Harmattan/Editions de l'Université de Laval, 2008.

Georges Franju, 'French Film Directors', Manchester University Press 2005.

Duras, Femme du Siècle, co-ed. with Stella Harvey, Editions Rodopi 2001.

Orlan, millennial female, Berg Publishers 2000.

Samuel Beckett, Longman Critical Reader co-ed. with Jennifer Birkett, Pearson Education 2000.

French Erotic Fiction: women's desiring writing 1880-1990, co-ed. with Alex Hughes, Berg Publishers 1996.

ARTICLES IN JOURNALS

‘#MeToo, #BalanceTonPorc, the feminist rape-revenge film in the 2010s and Revenge (Coralie Fargeat, France/Belgium, 2017)’, in The Philosophical Journal of Conflict and Violence VI: I (2022), 110-125.

‘Ethics, Gender and Vulnerability in the films of Mia Hansen-Løve’, Film-Philosophy 24:2 (July 2020).

‘Ethics, Universality and Vulnerability in Abderrahmane Sissako’s Bamako (2006) and Timbuktu (2014)’, Paragraph 41: 2 (2018), 167-183.

‘Feminist phenomenology and the film-world of Agnès Varda’, in Hypatia: a journal of feminist philosophy 28: 3, 602-617 (online 2012, print 2013, 8000 words)

‘Bringing Bodies Back In: For a Phenomenological and Psychoanalytic Film Criticism of Embodied Cultural Identity’, in Film-Philosophy Vol 15 No 1 (2011), at www.filmphilosophy.com (5000 words).

‘From minor to “major” cinema? women’s and feminist cinema in France in the 2000s’, for ‘(Retro)projections: French Cinema in the Twenty-first Century’ special issue of Australian Journal of French Studies XLV:3 (Sept-Dec 2008), 277-87.

‘Reply to Michael du Plessis’. Film-Philosophy, Vol 11, No 3 (2007): pp.103-107,at http://www.filmphilosophy.com/2007v11n3/ince.pdf

'Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat’, in Journal of Aesthetics and Art Criticism, 64:1, also Thinking Through Cinema, eds Murray Smith and Thomas Wartenberg, Oxford, Blackwell 2006, 157-164.

‘Surviving the Reign of the Father: the family and the law in the cinema of Georges Franju’, Studies in French Cinema Vol 4 no 3, December 2004, 209-18.

‘Queering the Family: fantasy and the performance of sexuality and gay relations in French cinema 1995-2000’, Studies in French Cinema Vol 2 no 2, November 2002, 90-7.

‘Thinking Expenditure: Bataille and body art’, in new formations 46, May 2002, 146-56.

‘Operations of Redress: Orlan, the body and its limits’, in V Steele (ed), Journal of Fashion Theory Vol 2 Issue 2, July 1998, 111-125.

‘Questions to Luce Irigaray’ (on Irigaray and Levinas), Hypatia: a journal of feminist philosophy 11 (1), Spring 1996, 122-140.

‘Theory in the Classroom’, Critical Survey Vol 4 No 3 (1992), 262-7. Special issue on the teaching of literary theory.

ESSAYS IN BOOKS

‘The Psychology and Phenomenology of Play in Céline Sciamma’s Petite maman (2021)’, Chapter 1 in Part I Temporality of Kelli Fuery (ed), Film Phenomenologies: Temporality, Embodiment, Transformation, Edinburgh: Edinburgh Univ. Press 2024, pp.27-40.

‘Agnès Varda’s Sans toit ni loi/Vagabond as the centre of my feminist film teaching 1998-2021’, in Colleen Kennedy-Karpat and Feride Çiçekoglu (eds), The Sustainable Legacy of Agnès Varda: Feminist Practice and Pedagogy, London and New York: Bloomsbury plc, 2022.

‘Feminist phenomenology and Jean-Pierre Meunier’s The Structures of the Film Experience’, essay in Daniel Fairfax and Julian Hanich (eds), The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions, Amsterdam, University of Amsterdam Press, 2019.

‘Global women’s cinema’ chapter (6000 words) for Routledge Companion to World Cinema, eds Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann, Routledge, 2017.

‘Feminist Phenomenology and the Films of Sally Potter’, in Jean-Pierre Boulé and Ursula Tidd (eds), Existentialism and Contemporary Cinema: a Beauvoirian Perspective, Berghahn Books, 2012.

‘Cinema, the Second Sex, and Studies of French Women’s Cinema in the 2000s’ in Will Higbee and Sarah Leahy (eds), Studies in French Cinema: UK Perspectives, Berghahn Books, 2010.

‘Glocal Gloom: Existential Space in the Cinema of Michael Haneke’, in Ben McCann and David Sorfa (eds), The Cinema of Michael Haneke: Europe Utopia, Wallflower Press/Columbia University Press, 2011.

‘Altérité, violence et (dés)humanisation dans les films de Georges Franju’, in Frank Lafond (ed), Le Mystère Franju, Coll. CinémAction no.141, Editions Charles Corelet, Condé-sur-Noireau, 4ème trimestre 2011, 44-49.

‘François Ozon’s cinema of desire’, in K Ince (ed), Five Directors: Auteurism from Assayas to Ozon, Manchester University Press 2008, pp.112-134.

‘Visagéité et (in)humanité dans le cinéma de Georges Franju’, in P Starfield (ed), Masque et lumière, Paris, Editions Corlet, 2006, pp.96-102

‘Games with the Gaze: Sophie Calle’s postmodern phototextuality’, in M Sheringham and J Gratton (eds), The Art of the Project, Berghahn, 2005, pp.111-122.

‘Introduction’, in S Harvey and K Ince (eds), Duras, Femme du Siècle, Editions Rodopi, 2001, pp.9-19.

‘Imaginary White Female: Myth, Race and Colour in L’Amant de la Chine du Nord’, in J Williams (ed), Revisioning Duras, Liverpool University Press ‘Modern French Writers’ series, 2000, pp.113-126.

‘Between the acts: Orlan, performance and performativity’, in Powerful Bodies: Performance in French Cultural Studies, eds V Best and P Collier, Peter Lang, 1999, pp.51-69.

‘Woman, Lover, Daughter, Mother: Female genealogies in Le Navire Night and Savannah Bay’, Duras: Lectures Plurielles, eds C Rodgers and R Udris, Editions Rodopi, 1998, pp.133-49.

‘La théorie littéraire et les études françaises’, in Aspects de la critique littéraire, eds I. Pickup and P. Baron, Editions de L'Université de Besançon, 1997, pp.5-15

‘L'amour la mort’. Chapter on Marguerite Duras in French Erotic Fiction (1996, see Books), 147-173.

‘Mirroring the Other’ (on Marguerite Duras), Women Teaching French Papers Issue No.2 (1994) Women's Space and Identity, ed. by Maggie Allison, 79-93.